Born in 1984 in Tashkent. 
2002-2006 Graduated from the State Conservatory of Uzbekistan with a degree in Percussion Instruments (Bachelor degree)
2006-2008 Graduated from the State Conservatory of Uzbekistan with a degree in Percussion Instruments (Master degree)
2017-2019 Graduated from the State Conservatory of Uzbekistan with a degree in Opera and Symphonic Conducting (Master degree)
Since 2005, an artist of the musical theater orchestra - studio at the State Conservatory of Uzbekistan. 
Since 2007, accompanist of the percussion group of the National Symphony Orchestra of Uzbekistan.
Since 2009, assistant conductor of contemporary music ensemble “Omnibus”
Since 2014, conductor of the National Symphony Orchestra of Uzbekistan 
Since 2018, the main conductor of the National Symphony Orchestra of Uzbekistan

Participation in projects:
45th International Summer School of Contemporary Academic Music in Darmstadt (Germany, 2010) 
Prince Claus Foundation Annual Awards, Amsterdam (Netherlands, 2009) 
Tour of the cities of China 2009 
Omnibus Laboratorium I-VI (Uzbekistan, 2005-2010) 
Black Box I-VI (Uzbekistan, 2006-2010) 
The Stars of Tomorrow - a concert with the Radio Germany Symphony Orchestra in Munich (Germany, 2007) 

Pianist Albert Mamriev rose to international prominence in 2008 when he became the first pianist to perform Franz Liszt’s complete piano transcriptions of Richard Wagner’s operas at the Wagner Festival in Bayreuth. Critics and audiences were captivated by his radiant tone, emotional intensity, and masterful interpretation.

His debut performance earned high praise from critic Frank Piontek, who highlighted Mamriev’s ability to bring Liszt’s paraphrased Wagnerian themes to life with both virtuosity and deep understanding. Following a 165-concert world tour featuring these transcriptions, Mamriev recorded the repertoire with Neue Sterne Records to wide critical acclaim.

A top prize winner at prestigious international competitions—including the Gina Bachauer, Vianna da Motta, UNISA, and Scottish International Piano Competitions—Mamriev has performed in many of the world’s leading venues. These include the Great Hall of the Moscow Tchaikovsky Conservatoire, Bass Hall in Fort Worth, Gasteig Hall in Munich, Linder Auditorium in Johannesburg, the Shanghai Philharmonic Hall, Ateneo Hall in Madrid, Palazzo Pisani and Palazzo Vendramin-Calergi in Venice, Assembly Hall at Temple Square and Abravanel Hall in Salt Lake City, the Forbidden Hall in Beijing, and numerous international festivals such as the Madeira Piano Festival, Nancy Music Festival, Fausto Zadra Piano Festival in Corato, Tübingen Music Festival, Mozart Festival in Johannesburg, and Kotor Art Festival in Montenegro.

DANIJEL GAŠPAROVIĆ earned his bachelor's degree and master's degree (piano performance) at the Music Academy of the University of Zagreb. He specialized his skills at the University for Music and Performing Arts in Pécs (Hungary) under guidance of pianist Csaba Kiraly. He is the winner of state, international and dean prizes, and was a scholar of the City of Zagreb.

As a soloist and a chamber musician, he performed at the Les Nuites Pianistiques Festival in Aix—En-Provence, France, Algarve Music Series in Faro, Portugal, Grosseto International Piano Festival in Italy,  Osor Musical Evenings, Hvar Summer Festival, Nights in Grich Summer Festival, Vinkovci Autumn Festival, PianoFortissimo Festival, Cristoforium series of concerts on historical instruments in Zagreb, Zagreb Piano Duo Festival, Stančić’s Pleyel Series, the Music Palette series, Nei Suoni dei Luoghi festival in Italy, Musica Maxima festival, May Music Evenings in Šibenik, Papandopuliana festival in Tribunj, Ohrid Summer Festival and Autumn Musical Evenings in Macedonia, 32 Beethoven sonatas series, Chopin Piano Fest in Prishtina, concerts in Ljubljana, festivals in Dubrovnik, Losinj Festival and many others.
He has also participated in the organizing of a piano instrument exhibition called the Ten Pianos at the Museum of Arts and Crafts in 2012, performing the works of Schubert and Saint-Saëns as well as in numerous festivals and cultural projects.
From 2009 to 2014 he was organizer and leader of the series of concerts of students of the Musical Academy in Zagreb called Virtuoso.

Over the past twenty five years, Alan Chircop conducted over thirty-five international orchestras in various theatres, concert halls and festivals in twenty different countries.

Apart from the Malta Philharmonic Orchestra, he conducted the Royal Philharmonic Orchestra at the Royal Albert Hall and Westminster Central Hall in London; the London Concert Orchestra at the London Coliseum – English National Opera; the Sofia Philharmonic – National Orchestra of Bulgaria; the Armenian State Symphony Orchestra and the National Chamber Orchestra of Armenia; the National Symphony Orchestra of Uzbekistan; the National Philharmonic Orchestra of Macedonia; the Cukurova State Symphony Orchestra of Turkey; the State Philharmonic Orchestras of Astana and Almaty, the Orchestra ‘Academy of Soloists’ and the Pavlodar Symphony Orchestra of Kazakhstan; the Symphonic Orchestra of the State National Theatre of Kyrgyzstan; the Karelian State Philharmonic Orchestra, the Tavrichesky Orchestra of Leningrad Region - St. Petersburg, the Kuban Symphony Orchestra, the Kislovodsk - Mineralnye Vody State Symphony Orchestra, the Altai Krai State Philharomonic, the Sochi Symphony Orchestra and the Moscow Youth Symphony Orchestra in Russia; L’Orchestra Citta’ di Ravenna and L’Orchestra Sinfonica Duchi d’Acquaviva in Italy; the Royal Oman Symphony Orchestra; the Leopoli State Symphony Orchestra and the Kiev Virtuosi of Ukraine; L' Orchestre Lyrique de Région Avignon-Provence in France; the Karlovy Vary Symphony Orchestra in Czech Republic; the Mihail Jora Philharmonic of Bacau in Romania; the Pleven Philharmonic Orchestra in Bulgaria; the Westsächsische Philharmonie and the Felix Mendelssohn Bartholdy Symphony Orchestra Leipzig in Germany; the Camerata con Cor(d)e of Belgium and various chamber concerts in Croatia and United Arab Emirates among others.

Roberta De Nicola studied with Lucia Passaglia and graduated in pianoforte with full marks in 1981 at the “A. Boito” Music Conservatory of Parma.

After graduating, she followed specialization courses with Guido Agosti, Michele Marvulli, Dario De Rosa, Alain Meunier and other illustrious masters at various prestigious institutions. She has also won awards at various competitions and performed public premieres of numerous new compositions. She performed recitals, solo concertos with many orchestras and also chamber concerts in Italy, France, Germany, Mexico, USA and Australia.

She has been teaching pianoforte since 1984 at various Italian conservatories, and since 1994 at the Pescara Music Conservatory. She has been a member of the academic council for six years, and became director of the Conservatorio Luisa D’Annunzio of Pescara since November 2023.